Richland’s Emeritus plus 50 program will offer a number of exciting noncredit classes on fun topics this spring for students 50 and over. Some of the instructors gave short previews of their classes at an event on Nov. 28.Read More
Mike Sims, president of Temple Emanu-El in Dallas, said some religious institutions, including Temple Emanu-El, have evaluated security to keep their members safe after the shooting at a synagogue in Pittsburgh on Oct. 27.Read More
Richland College lost a treasured faculty member this fall. Government professor Kathryn Yates died after a brief illness on Oct. 18. She was 74. She taught for the Dallas County Community College District (DCCCD) 52 years.Read More
Lorena Perez, an 18-year-old Richland student, was scouted by an academic company after the gym coach in her hometown in the Canary Islands (off the coast of North Africa) submitted a recording of her playing in a volleyball game.Read More
Toys for Tots has been reaching out to families all over the U.S. for more than 71 years at Christmas. This year, Richland’s Health Professions Club pioneered an initiative to partner with Toys for Tots in a bid to reach out to less fortunate kids.Read More
Howard Gardner, a Harvard psychologist, has posited that instead of a single kind of intelligence quotient (or IQ), humans actually have several. Among them is what he calls “musical intelligence.” It’s the unusual, maybe even genetically based, ability to create or perform music that rises above that of most other people. On Fannin Hall’s noontime recital stage Dec. 4, a dozen brave souls parted the curtains to demonstrate the validity of Gardner’s theory.
Before a sympathetic and supportive audience of fellow students, the selected outstanding pupils of Richland faculty members Derrick Logozzo, Boriana Savova, Lance Sanford, Abel Rodriguez, Leah Greenfield-Fritz, Sharon Deuby, Camille Fu, Ron Jones and Brandon Kelley performed a variety of mostly classical pieces ranging from Bach to Paganini. This concert, which by tradition comes near the end of each term, is designated as the “Honors Instrumental Studio Recital” because it allows especially gifted music students to satisfy their applied music jury requirement by playing a solo in public.
Although there was an occasional off-note, for the most part the concert was an aural banquet that emanated from a fine flock of young musicians some of whom will doubtless one day develop into professionals either as performers, teachers or both.
Among the most notable was Milton Amaya, a student of Sharon Deuby, who rendered a skillful demonstration of his mastery of the deep and resonant bass clarinet. Other outstanding performances included America Castellanos on flute, and Evan Mendez and Sebastian Tran, both of whom played the marimba.
Sometimes when a musician on stage gets into the spirit of the moment and spectacularly nails all of the notes, hearts of those in the audience sing out in resonance and angels soar. Such rare musical intelligence is a joy to behold. Yet even when players stumble, miss a cue, or a stray from the cadence, they can take solace by realizing that almost everyone out front has been in the same painful place and suffers along with them. It is often helpful at such times to remember that public performances can always be regarded as growth opportunities.
Thus to those on stage, no matter your level of skill or experience, please heed this message: We are all lifted up by the beauty you bring to our lives. Our throats catch as we are elevated by the elation that emerges
from what you are doing. It is no mere string of notes from a sheet of paper you are producing. No. It is truly music.
The passing of the torch can be a tough thing to watch. On one hand, it’s a generational thing, but on the other, it’s carving out a new path for those facing their own struggles and challenges.Read More
I like it when sequels continue the storyline without losing the appeal of the original. That is why I relished every moment of the all-new “Fantastic Beasts: The Crimes of Grindelwald,” a follow-up to the 2016 release.Read More
Reader says president Trump is a “dangerous demagogue”
Two years ago, in this newspaper, I declared that Donald Trump was unfit to hold the office of president of the United States. I sincerely wish that his performance since that time had given me reason to admit that I had misjudged him, but sadly, after nearly two years in office, he has more than proven me right.
The Merriam-Webster Dictionary defines “demagogue” as “a leader who makes use of popular prejudices, false claims and promises in order to gain power.” In light of his frequent fearmongering rhetoric, I can think of no other person who more closely fits that definition than Donald Trump.
Frankly, I am astonished that he was ever elected president in the first place, or that he was even seriously considered as a candidate. His personal behavior, both before and since taking office, has consistently been that of a narcissistic spoiled juvenile who thinks he knows everything but who actually knows very little, who betrays his lack of even the most basic knowledge every time he opens his mouth and who thinks nothing of mocking disabled people, and belittling women, minorities and decorated military veterans.
Yet the people who make up his base, people who appear to lack either the ability or the willingness to think for themselves, apparently have no problem with the president of the United States exhibiting, on nearly every occasion, the sort of boorish bad behavior that no responsible parent would ever allow their own children to get away with. Why they give the president a pass is entirely baffling to me. If I treated my students the way that Trump treats the press, I’d soon be out of a job.
It is generally conceded that all politicians lie, but let’s face it, some lie a lot more often than others and some a lot more blatantly than others. There can be no question that Trump is one of the latter.
While listening to the speeches that he gives at his rallies, the provocative and outrageous statements he seems to simply make up as he goes along never cease to amaze me. Sometimes, he not only lies but also says things that make absolutely no sense. Recently, at one of his televised rallies, I heard him say that he had kept more promises than he had made. How is that even possible?
Americans seem to have already forgotten that only a few short weeks ago, just before the midterm elections, an ardent Republican, whose van was plastered with pro-Trump stickers and whose social media presence made it clear that he was a big fan of the president, was arrested and charged with sending letter bombs to several high-ranking Democrats including two former presidents.
Yet Trump disavowed any personal responsibility for the divisive, inflammatory language he frequently uses that seems to have animated the alleged would-be assassin. By routinely demonizing Democrats, refugees, legitimate news outlets such as CNN or NBC (which he insultingly calls “Fake News” or “the Enemy of the People”) and just about anyone who either disagrees with his policies or publicly points out the falsity of his often outrageous claims, he has shown himself to be nothing less than a dangerous demagogue.
By sowing the seeds of discord he does nothing to heal the political divide that is so painfully apparent in this country. If anything, he is making it worse by appealing to emotion and fear (most of it baseless), rather than to reasoned, civil discourse.
It is ironic that the president often uses derogatory language to describe the press or his political opponents that is far more applicable to him. By both words and deeds, he almost daily proves that it is he, not they, who is “rude,” an “embarrassment” and a “disgrace.”
I’ll give Trump this: Despite his limited vocabulary (or perhaps because of it), he certainly knows how to work a crowd and get them on his side. But so did Hitler.
– Dr. Steven Butler is an adjunct faculty member in the history department at Richland.